The act of viewing shapes our perceptions and interpretations of the world, offering insights into human behavior, societal norms, and the complexities of our surroundings. Through introspective lenses, we dissect the dynamics of observation, examining the power and responsibilities inherent in our gaze. "Practices of Viewing," inspired by Johannes Binotto’s 2023 film, scrutinizes the act of viewing in cinema, probing the question of 'What is my position?' and the power of comprehension.
Chantal Molleur has chosen six films that collectively interrogate the nuances of viewing practices, each offering a distinctive perspective on how observation shapes and is shaped by cinematic form. Morgane Frund’s OURS delves into the ethics of the gaze and its voyeuristic implications, while Johannes Binotto’s Practices of Viewing: Dubbing challenges traditional notions of linguistic authenticity in film through the lens of dubbing. Elodie Pong’s On A Beautiful Day starkly contrasts the idealized notion of migration with the harsh realities of the Strait of Gibraltar, presenting a complex interplay between narrative and socio-political context. Claudius Gentinetta’s Think Something Nice uses animation to explore the escape from physical and existential discomfort, employing a fantastical narrative as a form of psychological distancing. Roman Hodel’s The Game provides an incisive look at the role of the referee, highlighting the dynamics of authority and spectacle within the football arena. Finally, Corina Schwingruber Ilić’s Been There offers a reflective commentary on the pervasive nature of modern travel, questioning what we gain from these fleeting experiences in an era where weekend trips and overloaded destinations have become the norm.
Together, these works prompt a critical examination of the power dynamics and interpretative frameworks that inform our engagement with film, encouraging a deeper reflection on the impact of viewing practices on both content and perception.